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Vous avez sélectionné:
Jazz Sonata
Partitions à imprimer
223 partitions trouvées
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THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Joe Procopio These arrangement
#
Johann Sebastian Bach
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Joe Procopio
#
THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pa...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99 ≈
£4.73
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Bb INSTRUMENTS Arr. By Joe Procopio
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Bb INSTRUMENTS Arr. By Joe Procopio
Piano,Clarinet,Saxophone,Double Bass,Drums,Guitar,Bass Guitar,Jazz Ensemble,Keyboard/Synthesizer,
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J
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Composed by J. S BACH. Arranged by Joe Procopio. Baroque Period, Jazz. Individual Part, Score, Set of Parts. 43 pages. Published by JoeCopio Music LLC (S0.24086...
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Composed by J. S BACH. Arranged by Joe Procopio. Baroque Period, Jazz. Individual Part, Score, Set of Parts. 43 pages. Published by JoeCopio Music LLC (S0.24086). - Individual Part,Score,Set of Parts - Baroque Period,Jazz - JoeCopio Music LLC
$5.99 ≈
£4.73
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb & Bb INSTRUMENTS Arr. By Joe Procopio
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb & Bb INSTRUMENTS Arr. By Joe Procopio
Piano,Clarinet,Saxophone,Double Bass,Drums,Guitar,Bass Guitar,Jazz Ensemble,Keyboard/Synthesizer,Eb CLARINET
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J
#
Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Composed by J. S BACH. Arranged by Joe Procopio. Baroque Period, Jazz. Individual Part, Score, Set of Parts. 44 pages. Published by JoeCopio Music LLC (S0.24093...
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Composed by J. S BACH. Arranged by Joe Procopio. Baroque Period, Jazz. Individual Part, Score, Set of Parts. 44 pages. Published by JoeCopio Music LLC (S0.24093). - Individual Part,Score,Set of Parts - Baroque Period,Jazz - JoeCopio Music LLC
$5.99 ≈
£4.73
Moonlight Sonata C# Minor 3rd Movement Full Score
Moonlight Sonata C# Minor 3rd Movement Full Score
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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John Hurford
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Moonlight Sonata C# Minor 3rd
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John Hurford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.905269 Composed by Ludwig van Beethoven. Arranged by John Hurford. 20th Century,Contemporary,Rock,Standa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.905269 Composed by Ludwig van Beethoven. Arranged by John Hurford. 20th Century,Contemporary,Rock,Standards. Score and parts. 114 pages. John Hurford #3878975. Published by John Hurford (A0.905269). Full rock band arrangement for electric guitar. For more products go to https://www.johnhurfordmusic.com/ mp3 track available under title name in listings.
$24.99 ≈
£19.74
Moonlight Sonata C# Minor 1st Movement (full rock score)
Moonlight Sonata C# Minor 1st Movement (full rock score)
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Ensemble Jazz
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FACILE
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Classique
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Ludwig van Beethoven
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John Hurford
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Moonlight Sonata C# Minor 1st
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John Hurford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.905268 Composed by Ludwig van Beethoven. Arranged by John Hurford. Contemporary,Rock,Standards. Score an...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.905268 Composed by Ludwig van Beethoven. Arranged by John Hurford. Contemporary,Rock,Standards. Score and parts. 16 pages. John Hurford #3662385. Published by John Hurford (A0.905268). Full score in concert band format (Guitar,bass and drums). For more products go to https://www.johnhurfordmusic.com/ mp3 track available under title name in listings.
$24.99 ≈
£19.74
Classics meet Jazz
Classics meet Jazz
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Piano Facile
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FACILE
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Jazz
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Uwe Korn
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Uwe Korn
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Classics meet Jazz
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This ed...
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Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazzrock, Klassik, Musikgeschichte. Downloadable. Op. Vol. 1. Schott Music - Digital #Q52329. Published by Schott Music - Digital
This volume contains a wide selection of famous musical themes from Bach to Carl Orff. Some of them were originally written for the piano. most have had their scores carefully arranged to make them easy to play on the piano. Each piece is followed with a jazz interpretation, which can either be played alone or alongside the 'original' version. Perhaps this will show that the 'classics' are not all that far removed from jazz, and that music of earlier periods contains many of the essential characteristics of jazz. Doesn't Lully's 'Gavotte', for instance, contain one of the most famous jazz themes ever? The 'Blue Gavotte' may make this clearer. The theme from Mozart's Sonata in A major (K 331) doesn't require many rhythmic changes to give it a blues flavour ('Mozart Goes Blues'). The driving rhythm of the ostinato bass in Carl Orff's 'O Fortuna' would suit modern jazz-rock performers well, with a few small changes ('A Fortune for a Tune'). What do Bizet's 'Habanera', Brahms' 'Hungarian Dance No. 5' and Paganini's 'Caprice No. 24' have in common? Why have they been turned into salsa music ('Habanera con Cigarro', 'Hungarian Salsa No. 5', 'Capriccio Latino')? Much of this is up to the individual: if you want to discover similarities, they are easy to find.
$19.99 ≈
£15.79
Jazz Sonata
Jazz Sonata
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Violoncelle, Piano
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Lucio Franco Amanti
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Jazz Sonata
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q11661 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello - Italy - Jazz. Cello Libr...
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Cello and piano - intermediate to advanced - SKU: S9.Q11661 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello - Italy - Jazz. Cello Library. Downloadable. Duration 15 minutes. Schott Music - Digital #Q11661. Published by Schott Music - Digital (S9.Q11661). After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompaniment. He wants to offer new ways and styles to cellists coming from the classical tradition. This is why this piece is also based on his own improvisations united in form of a sonata. The result is an interesting crossover effect between jazz music and traditional sonata form, a rewarding concert piece with many different characters and ingredients: a bit of bebop, a touch of Latin and tango, some cool jazz, a hint of Stravinsky and much more. All these elements are treated equally and make this jazz sonata a suitable piece for the concert hall and the jazz club alike. An interesting addition to the repertoire for open-minded cellists.
$19.99 ≈
£15.79
Jazz Sonata
Jazz Sonata
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Violoncelle, Piano
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Jazz
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Wolfgang Koehler
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Jazz Sonata
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q583377 Composed by Wolfgang Koehler. Downloadable, Score and part. Schott Music - Digital #Q583377...
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Cello and piano - intermediate to advanced - SKU: S9.Q583377 Composed by Wolfgang Koehler. Downloadable, Score and part. Schott Music - Digital #Q583377. Published by Schott Music - Digital (S9.Q583377). This cello sonata by the renowned jazz pianist and professor of jazz piano unites in a certain way the best of two worlds: melodies, sophisticated harmonies and rousing rhythms, which are also convincing in a pure jazz context, are fused here with a formal language and movement techniques that are oriented towards classical models. The voices of both instruments are interwoven on an equal footing and take the listener on an exciting musical journey from the very first moment, which finds its virtuoso climax in the lively rondo via a classical sonata main movement and a quiet middle movement.This cello sonata by the renowned jazz pianist and professor of jazz piano combines in a certain way the best of two worlds: melodies, sophisticated harmonies and rousing rhythms, which are also convincing in a pure jazz context, are here fused with a classical formal language.
$19.99 ≈
£15.79
Alla Turca Jazz
Alla Turca Jazz
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Harpe
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Jazz
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Contemporain
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Compose...
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Harp - Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99 ≈
£5.52
Hot-Sonata
Hot-Sonata
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Saxophone Alto et Piano
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AVANCÉ
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Jazz
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Erwin Schulhoff
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Hot-Sonata
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Schott Music - Digital
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SheetMusicPlus
(Jazz Sonata). Composed by Erwin Schulhoff (1894-1942). This edition: Sheet music. Jazz - Serious music - Contemporary music. Downloadable. Duration 1...
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(Jazz Sonata). Composed by Erwin Schulhoff (1894-1942). This edition: Sheet music. Jazz - Serious music - Contemporary music. Downloadable. Duration 14 minutes. Schott Music - Digital #Q20077. Published by Schott Music - Digital
$16.99 ≈
£13.42
Appassionata Jazz Sonata Etude
Appassionata Jazz Sonata Etude
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gene Roberson
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Appassionata Jazz Sonata Etude
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Gene Roberson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.848383 Composed by Gene Roberson. Instructional,Jazz. Score. 4 pages. Gene Roberson #12105. Published by Gene Roberson (A...
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Piano Solo - Level 4 - SKU: A0.848383 Composed by Gene Roberson. Instructional,Jazz. Score. 4 pages. Gene Roberson #12105. Published by Gene Roberson (A0.848383). From the JAZZ ETUDE collection by Gene Roberson. Here is the Appassionata Etude. Just like Chopin wrote many Etudes (or Studies) Professional organist/pianist/composer, Gene Roberson offers his etudes for learning different styles of Jazz piano playing. This etude uses the composing tool of tonalities based on the first (root) third and fifth tones of the scale. Watch for the other learning and performing etudes by Gene in the near future.
$4.95 ≈
£3.91
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* COMPLETE COLLECTION Arr. By Joe Procopio
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* COMPLETE COLLECTION Arr. By Joe Procopio
Piano, Keyboard/Synthesizer, Flute, Oboe, Clarinet, Bassoon, Saxophone, Euphonium, Violin, Cello, Drums, Guitar, Jazz Ensemble
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J
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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SheetMusicPlus
Composed by J. S BACH, JOE PROCOPIO. Arranged by Joe Procopio. For Piano, Keyboard/Synthesizer, Flute, Oboe, Clarinet, Bassoon, Saxophone, Euphonium, Violin, Ce...
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Composed by J. S BACH, JOE PROCOPIO. Arranged by Joe Procopio. For Piano, Keyboard/Synthesizer, Flute, Oboe, Clarinet, Bassoon, Saxophone, Euphonium, Violin, Cello, Drums, Guitar, Jazz Ensemble. Baroque Period, Jazz. Advanced Intermediate. Score, Set of P
$19.95 ≈
£15.76
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR BASS CLEF INSTRUMENTS Arr. By Joe Procopio
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR BASS CLEF INSTRUMENTS Arr. By Joe Procopio
Piano, Keyboard/Synthesizer, Bassoon, Euphonium, Cello, Double Bass, Drums, Guitar, Bass Guitar, Jazz Ensemble
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J
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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Joe
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SheetMusicPlus
Composed by J. S BACH. Arranged by Joe Procopio. For Piano, Keyboard/Synthesizer, Bassoon, Euphonium, Cello, Double Bass, Drums, Guitar, Bass Guitar, Jazz Ensem...
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Composed by J. S BACH. Arranged by Joe Procopio. For Piano, Keyboard/Synthesizer, Bassoon, Euphonium, Cello, Double Bass, Drums, Guitar, Bass Guitar, Jazz Ensemble. Baroque Period, Jazz. Intermediate. Individual Part, Score, Set of Parts. Published by Joe
$5.99 ≈
£4.73
Jazz Sonata No. 2
Jazz Sonata No. 2
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Violoncelle, Piano
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Lucio Franco Amanti
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Jazz Sonata No. 2
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q40429 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello Library. Downloadable. Dur...
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Cello and piano - intermediate to advanced - SKU: S9.Q40429 Composed by Lucio Franco Amanti. This edition: Sheet music. Cello Library. Downloadable. Duration 12 minutes. Schott Music - Digital #Q40429. Published by Schott Music - Digital (S9.Q40429). Amantis zweite Jazz-Sonate zeigt eine moderne Seele in Sonatenhauptsatzform: Eckuinox beginnt mit einer schnellen Kadenz des Solocellos und geht über in einen groovigen Ritt bis zum Ende. Rhythmische und „kantable“ Teile sind in der Klavier- und Cellostimme zu identifizieren, die wiederholten Elemente zu variieren und dabei mit verschiedenen Strichen und Akzenten zu experimentieren. Pulcinellas Geheimnis ist ein Tango, der auf dem Pergolesi/Strawinsky-Thema beruht, das mit dem bekanntesten Charakter der neapolitanischen Volkstradition verbunden ist. Das Thema ist die ganze Zeit über verborgen, bis zu dem Moment im ¾-Takt, wo es dann tatsächlich neu harmonisiert zum Vorschein kommt. Dawn – Dämmerung ist der Soundtrack zum Neuanfang. Ceci n’est pas une fugue - Dies ist keine Fuge beinhaltet eine (Art) Doppelfuge über einen Blues und das berühmte „königliche Thema“, inspiriert von der Entstehungsgeschichte des Musikalischen Opfers von J.S. Bach.
$21.99 ≈
£17.37
Andante Grazioso from K.331 (for Solo Jazz Guitar)
Andante Grazioso from K.331 (for Solo Jazz Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Andante Grazioso from K.331
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Kenneth Pasciak. Classical Period, Jazz, Repertoire, Recita...
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Guitar Tab - Intermediate - Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Kenneth Pasciak. Classical Period, Jazz, Repertoire, Recital. 4 pages. Published by Kenneth Pasciak
Movement I of Piano Sonata No. 11 in A major (K. 331) by Mozart arranged for solo jazz guitar, featuring jazz counterpoint, extended and altered chords, an octatonic (diminished scale) cadenza passage and reharmonizations. Great for electric, acoustic or classical guitar. Includes 2-page score with tablature and individual guitar part (without tabs).
$1.99 ≈
£1.57
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.51
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.51
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
£7.51
Violin Sonatas, Nos. 1 thru 10 for Violin and Piano and Solo Violin, Full Score and Individual Parts
Violin Sonatas, Nos. 1 thru 10 for Violin and Piano and Solo Violin, Full Score and Individual Parts
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Violin Sonatas, Nos. 1 thru 10
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James Nathaniel Holland
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1292448 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 326 pages. James Nathaniel Holland #883...
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Piano,Violin - Level 4 - SKU: A0.1292448 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 326 pages. James Nathaniel Holland #883020. Published by James Nathaniel Holland (A0.1292448). FOR VIOLIN AND PIANO OR SOLO VIOLIN  A Collection of ten virtuoso violin sonatas from 21st century, American composer James Nathaniel Holland each with various moods, some movements contain some elements of Jazz.  Includes Violin Sonata No. 1 “Nights in a French Cafe†and Violin Sonata No. 2 “Romanze,†both for violin and piano.  Violin Sonatas Nos. 3 - 7 are for solo violin only.  Although contemporary, pieces are accessible and versatile to be used for recitals, restaurants, weddings or events as well as formal concerts.  (License or permission to perform may apply.)  Advanced level ability with some movements Intermediate level.Each Sonata roughly 20 minutes in length with multiple movements.
$30.25 ≈
£23.90
Piano Sonatas, Nos. 1 thru 10, For Solo Piano
Piano Sonatas, Nos. 1 thru 10, For Solo Piano
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Piano seul
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AVANCÉ
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James Nathaniel Holland
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Piano Sonatas, Nos. 1 thru 10,
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1287109 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. Score. 173 pages. James Nathaniel Holland...
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Piano Solo - Level 5 - SKU: A0.1287109 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. Score. 173 pages. James Nathaniel Holland #878118. Published by James Nathaniel Holland (A0.1287109). FOR SOLO PIANO  A Collection of ten virtuoso piano sonatas from 21st century, American composer James Nathaniel Holland each with various moods, some movements contain some elements of Jazz.  Although contemporary, pieces are accessible and versatile to be used for recitals, restaurants, weddings or events as well as formal concerts.  (License or permission to perform may apply.)  Advanced level ability with some movements Intermediate level.Includes:  Piano Sonata No. 2 “The Viennese,† Piano Sonata No. 3 “Mathematical Energyâ€, Piano No. 4 “Romanze,† Piano Sonata No. 7, “The Joyful,† Piano Sonata No. 8 in Am “Strum und Drang† etc. Each Sonata roughly 20 minutes in length with multiple movements.
$32.65 ≈
£25.80
New Piano Sonatas 1 2 and 3 James Nathaniel Holland
New Piano Sonatas 1 2 and 3 James Nathaniel Holland
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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James Nathaniel Holland
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New Piano Sonatas 1 2 and 3 Ja
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Publishe...
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Piano Solo - Level 4 - SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Published by James Nathaniel Holland (A0.730176). New and fresh 21st century piano music. Melodic, sentimental and traditionally based but with modern harmonies and touches of jazz. Enjoyable to play and listen to. Combine and contrast with musical masters of the past. Perfect to include contemporary music into piano your recitals. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. Born and raised in Indiana, he studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Demo video presentations: Piano Sonata No. 1: https://www.youtube.com/watch?v=JA7UBs7VuvQ Piano Sonata No. 2 The Viennese: https://www.youtube.com/watch?v=bZ6J21Ksxng Piano Sonata No. 3: https://youtu.be/KQyWRVEKDJU.
$8.25 ≈
£6.52
Sonata Hymnica No. 6
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
£7.90
Sonata #1 in C major (Commedia dell’arte all’improvviso)
Sonata #1 in C major (Commedia dell’arte all’improvviso)
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Piano seul
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Contemporain
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James Domine
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Sonata #1 in C major
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published by Earth Music, ...
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Piano Solo - SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published by Earth Music, Ltd. (A0.976503). The piano sonatas by James Domine are cast in one movement and follow the traditional sonata-allegro form. The first of these, Piano Sonata #1 in C major opens with a lively theme in C major sweetened by the interpolation of a recurring f# that is marked with the tempo indication of Animato. The principal theme is followed by a contrastingly sentimental cantabile melody that has something of a jazz-ballad flavor set in the dominant key. These two themes are cunningly entwined through the development in an harmonic sequence that emerges into a playful recapitulation. The sonata ends with an open-spaced quartal figuration that implies the tonic key of C major but without implicitly spelling it out in its common triadic form. The subtitle Commedia dell’arte all’improvviso comes from the light-hearted comedic character of the principal theme that is treated throughout in a quasi-improvisational manner reminiscent of the sixteenth-century Italian theatrical style. This sonata, although begun at an earlier date, was completed in 2005 at the request of Joanna Ezrin, pianist and pedagogue as a vehicle for her students.
$8.95 ≈
£7.07
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